So how do most of us, who don't manage to spend our mornings writing and then do even 1 13th of what Virginia Woolf did in the rest of her day, get around and along? since I am about to launch (well, after a few other thises and thats) into my SimplyWoolf book, it does sweep across my mind rather a lot...
I still love getting up in the wee hours to read something or other, and then rise, both of us, read the paper and have coffee (gave up the coffee maker Boyce's cousin bestowed on us: that kind you just put a little cup thing in and try to make it stronger than it wants to be and hotter than it can be, wheeled it down to the Housing Works place I take whatever we need to dispose of, books, books, books, etc., and then take a swim in the not so far off pool, always taking something to read in case all the lanes are full, etc. That is instead of writing, of course, and then there's living.
And there's also meeting my seminar, so much fun, on mannerism to modernism, and all the art that goes with it, how superbly perceptive are the participants in the class, heavens above.
And two pieces came out in the TLS and I enjoyed doing those, on Linda Nochlin and on a book on Motherwell, and this weekend I get to read translations of Pierre Reverdy at an art gallery where a musician has composed something on trying to translate Reverdy, sounds like a nice turnabout...
then I leave for Kalamazoo to talk on the Modern Art Cookbook, and they will prepare things from it, now that is delightful, why ever write anything else, you say to yourself?
I still love getting up in the wee hours to read something or other, and then rise, both of us, read the paper and have coffee (gave up the coffee maker Boyce's cousin bestowed on us: that kind you just put a little cup thing in and try to make it stronger than it wants to be and hotter than it can be, wheeled it down to the Housing Works place I take whatever we need to dispose of, books, books, books, etc., and then take a swim in the not so far off pool, always taking something to read in case all the lanes are full, etc. That is instead of writing, of course, and then there's living.
And there's also meeting my seminar, so much fun, on mannerism to modernism, and all the art that goes with it, how superbly perceptive are the participants in the class, heavens above.
And two pieces came out in the TLS and I enjoyed doing those, on Linda Nochlin and on a book on Motherwell, and this weekend I get to read translations of Pierre Reverdy at an art gallery where a musician has composed something on trying to translate Reverdy, sounds like a nice turnabout...
then I leave for Kalamazoo to talk on the Modern Art Cookbook, and they will prepare things from it, now that is delightful, why ever write anything else, you say to yourself?
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